The soul of a work of art is what we call its “artistic idea.” This is its plot and the essence of its treatment, the problem and the principle of its solution. Of what kind, then, is this problem? We know now. No matter how it has been considered by the artist himself, in reality it is always a problem of organisation. It is this in two senses: in the first it is a question of how to organise harmoniously a certain sum total of the elements of life and experience; in the second sense, it is a question of how to ensure that the unity created in this way may serve as a means of organisation for a certain community. If the first is not accomplished we have no art, but only confusion; if the second is not accomplished, then the work has no interest for anybody except the author himself, and is of no use whatever.
–Bogdanov, Aleksandr. The Workers’ Artistic Inheritance. 1924.
disappeared: the terms harmony, totality, unity,
survived: the terms problem, elements, life, experience, organization,
appeared: the terms artistic idea,