Finally rediscovered after some dream encounter with the phalanstery, a figure to add to the refrain of Wilhelm Reich, Otto Muehl, Guy Debord, Charles Fourier, …
Fourier is not only a critic, his imperturbably serene nature makes him a satirist, and assuredly one of the greatest satirists of all time. He depicts, with equal power and charm, the swindling speculations that blossomed out upon the downfall of the Revolution, and the shopkeeping spirit prevalent in, and characteristic of, French commerce at that time. Still more masterly is his criticism of the bourgeois form of the relations between sexes, and the position of woman in bourgeois society. He was the first to declare that in any given society the degree of woman’s emancipation is the natural measure of the general emancipation.
But Fourier is at his greatest in his conception of the history of society. He divides its whole course, thus far, into four stages of evolution – savagery, barbarism, the patriarchate, civilization. This last is identical with the so-called civil, or bourgeois, society of today – i.e., with the social order that came in with the 16th century. He proves “that the civilized stage raises every vice practiced by barbarism in a simple fashion into a form of existence, complex, ambiguous, equivocal, hypocritical” – that civilization moves “in a vicious circle”, in contradictions which it constantly reproduces without being able to solve them; hence it constantly arrives at the very opposite to that which it wants to attain, or pretends to want to attain, so that, e.g., “under civilization poverty is born of superabundance itself”.
—Engels, Frederick. 1880. The Development of Utopian Socialism. Socialism: Utopian and Scientific.
Peter Doig painted l’Unite d’Habitation designed by Le Corbusier inspired by Fourier’s phalanstère: