Monthly Archives: April 2010

projector

And Freud’s great achievement, as Badiou sees it, was the “eventalization” of childhood, that is, an understanding of childhood not as an innocent parenthesis (a simple “before” adulthood) or a moment of training and development (of “dressage”), but rather as a sequence of events whose consequences are duly assumed by the unconscious subject. This allowed for an analysis of childhood as an unfolding process of creative thought, that is, of thought able to transform itself. Freud’s most essential insight was “Something has happened, it cannot be erased, and the constitution of the subject depends on it”. —Hallward. Badiou: Subject to Truth. p113.

They play at fighting like brother and sister, courting precautions are left behind.

58:23
How did you know I’d respond to you the way I have?
I saw myself in you.

As Deleuze and Guattari call it, the double:
“My project is a temporal form where I await myself  in the future, where I make an appointment with myself on the other side of that hour, of that day, of that month. Anxiety is the fear of not finding myself at that appointment, of no longer even wishing to be there in the first place.” —Sartre. Critique of Dialectical Reason pt1. xxx.

Then before the experimentation can ever take off, oedipal monogamy sours the deal. She invents something that could be broken, which retroactively distorts things towards misogyny.
There was even a germ of what could be an erotics of sadness. What remains inexplicable for me throughout the whole film was the melancholic overtone. Her speechlessness and outgrown attachment to a past lover, her hypnosis instead of giddiness at work, her boredom waiting at his place, the spot-on ’80s decor and smoky lighting, the artwork in her slideshow, and so on. And then the breakthrough exodus from the Chelsea and live porn theatre, kissing a stranger in riposte, the proximity of sobbing and sex and her running eyeliner . . .  anticipated, had visions, what’s going to happen next, are they becoming part of the show, conjugating the gathering, deterritorializing the theatre, where next, where next . . . ?

Wikipedia says, “the film is now well known for its erotic sadomasochistic  content” –besides that fact that there was none, 9 1/2 Weeks nonetheless hints at an intense antipode of this phantasmatic film medium. That is, ‘real-life’ power games, where one really never knows if s/he is playing games with me or how serious the stakes are –performative undecidability. In stark contrast to the real thrill of citizen-play, BDSM dungeons like porn shoots are a calico-world of erotic bathos. Remember Kracauer’s sense of catastrophe discovering the eratz cosmos of the film studio– “the ruins of the universe are stored in warehouses for sets, representative samples of all periods, peoples, and styles.” With the client-supplier dungeon, you’d have to be high to get aroused by such stupidity of premise and statement. It’s more like the words themselves are what arouse and not the gear, sets, roleplaying, or commands. As if taboos cease to exist, and only irregularity excites: “Figure out if you want to be a commonwealth or a state, wetback!”

As Trecartin’s Auto Ceader says, “Britt plans sexy and it’s gross. Someone needs to hang her from her freaking foot so the blood rushes to her head so that she has better ideas. Ones that aren’t so sexy. I’m embarrassed that I have things that are sexy in my life. Why isn’t she?”

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a diagram

alloplastic or autoplastic, mineralogical or geological, real-formal or real-essential, …
or why didn’t they teach us about these in art history?
if each of these sites integrates a technological substance [mineral alteration] with a expressive function [ritual activity] and if each type of integration is produced and distributed as a historical stratum, then there is a diagram “between two strata as the place of mutations which enables the passage from one stratum to the other.” in other words, a diagram draws the lines, relations, and transformations between all of these sites.

cist

chambered cairn

clava cairn

court cairn

dolmen

henges

hörgr

inukshuk

kerb

kurgan

ovoo

petroform

rujm

stele

stupa

tumulus

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cities on speed

Philosopher and mathematician
Negotiates conflict resolution with youth agitators
Moons unruly assembly
Runs for mayor, brawls at a political caucus
Wins Bogotá mayorship without a political party
Fires entire traffic police force
Hires mimes, closes bars at 1am, collects trash in costume
Garners extra taxes from wealthy
Orders men to care for house and children on Woman’s Night
Throws water instead of fist in colleague’s face
Encourages kids to use domestic abuse hotline
Deploys Visine crime vaccination
Confiscates weapons to melt down for cutlery
Improves homicide and fatality rates, extends plumbing, electricity
Attempts to abolish cars in city of 7m+
Builds schools, libraries, parks, public trans, bike infrastructure
Forms new Green Party with competing candidates
May be Columbia’s new president…

Antanas Mockus
Academic Turns City Into Social Experiment

All the Harvard Gazette’s talk of Douglass North and Jürgen Habermas warms the bourgeois heart and recalls the question –why are academics liberal?

I always find it intriguing that conservatives that denounce liberal academia seem to believe that this political persuasion precedes the research of academics, biasing it, rather than seeing that it arises from this exact research and the historical, anthropological, and sociological awareness it engenders. —larvalsubjects.

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